
The scenic NIROX Sculpture Park in the Cradle of Humankind was once again transformed into a vibrant hub of art, music, and dialogue as The BMW Art Generation Vol. III made its much-anticipated return.
This year’s edition carried the theme “A Tropology Between Image and Imagination”- exploring how creative practices can reclaim histories and envision alternative futures.
The gathering brought together artists, cultural thinkers, and audiences to reflect on how symbolism, gesture, and form illuminate African presence in all its depth and complexity.
The programme opened with Garden Affirmations with Muneyi, a session that encouraged visitors to pause, reflect, and engage in intergenerational conversations framed around “critical joy.” It set the tone for a day that was as much about dialogue and exchange as it was about performance and exhibition.
Music was a thread, binding generations of South African artistry. Legendary musician Sipho “Hotstix” Mabuse shared the stage with Msaki, whose genre-defying compositions continue to push the boundaries of contemporary sound. Their performances underscored the continuity between cultural elders and today’s innovators.
Speaking to YNews, young attendees highlighted how the festival created an inclusive and dynamic atmosphere.
Katlego Mokonoto praised the openness of the space and its ability to unite diverse communities.
“I think it’s really great to see people see art and prioritise it too, in a space like this you see people not only prioritising art but also fashion, good vibes and making sure that they invite younger people so that is not a space where there’s a certain again group but rather a diverse ages and races,” Mokonoto said.
For Sihle Mthembu, the festival embodied the fulfilment of ancestral dreams.
“I think it’s our ancestors’ wildest dreams that we are able to do this — feel good, look good, enjoy the art, enjoy the food and enjoying the music.”
She added that the event deepened her sense of what it means to be an artist:
“I feel like these events really liberate us as young people, what it means to be an artist. There’s more depth in understanding of the arts.”
Beyond the performances, a curated talks programme anchored the intellectual and discursive aspects of the festival — weaving together conversations that will continue long after the last note faded.

Featuring acclaimed artists such as Zanele Muholi, this panel unpacked how image-making becomes a means of resistance, self-authorship, and future-building, while also interrogating identity, presence, and cultural mythologies.

With voices like Nicholas Hlobo, the conversation echoed Koyo Kouoh’s call for “loving and emancipatory depictions of Black experiences,” exploring how performance and representation intersect with history, grief, and joy.
These dialogues created meaningful space for audiences to reflect on contemporary art – offering insight into the processes and lived experiences that shape it.
Since its launch in 2020, BMW, in partnership with FNB Art Joburg, has worked to nurture a new generation of African art patrons through the BMW Young Collectors Co.
This initiative continues to invest in local cultural ecosystems, strengthening art’s role as both a personal and collective practice across the continent.
Written by: : Lebohang Ndashe
Written by: Nonhlanhla Harris
todayDecember 12, 2025 156 1
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